Ducktails ii zip

Matthew DeMaio. Judy Humphries. Jim Blevins. Louis Mednick. Ryoichi Tanaka. Jeff Shute. Kyle Johnson. Jake Moyer. Justin Skarhus. John Neylan. Purchasable with gift card. Tropical Heat Backyard The Mall Afternoon Tray Sliders Floating Island Flavor Lets Rock The Beach Status Quo Udelco Neptune City, NJ Tags rock baroque pop indie rock jazz psychedelic pop synthpop New Jersey.

All games Advanced Search. English Czech. Make fullscreen. Other platforms:. Game info:. Game title:. Author released :. Walt Disney Computer Software Action, Platform. Kyle Johnson, David Thiel. Game manual:. Game size:. Recommended emulator:. From Wikipedia, the free encyclopedia:. For fans and collectors:. Find this game on video server YouTube. Buy original version of this game on Amazon.

Available online emulators:. Java applet. Calhoun et al. Another form of collective territorialisation is evident in the popular pastime of gate- crashing parties. If Ducktail gangs heard of a party or other social event, regardless of any connections between themselves and the hosts, they would gate-crash the party, vandalise the property, damage possessions and ight anyone who got in their way.

They were usually armed with lick-knives, knuckle-dusters and clubs on these excursions. The gangs which gate-crashed parties came from both within and outside the neighbourhood. Gangs and friendship groups had a network of preferred places, interaction spaces … Individuals and groups feel their way through a city in activity space orbits with the nature and extent of circulation patterns generating and inluencing images and establishing affective relationships with particular places, routes, and nodes.

Leisure time was strategically planned and irmly rooted in Duckie routine and ritual. Hilton interview with the author, recalls: It was all very routine, catch a movie in the afternoon, Saturday night there was a session, Sunday out to one of the pleasure resorts for talent shows, go to the drags [drag racing]. Leisure was key and socialising occupied every moment of the weekend. Sports clubs raised money by organising dances where people danced to records played on a radiogram … the point was you came to jive, meet girls and pose with your mates … Sunday morning was a slow time in the ifties, most things were closed [social activities on Sundays was restricted by the Sabbath Day Observance Act].

Most often jolling was a collective activity undertaken by a group of friends. Feelings of inclusion with friends, for example and exclusion from other groups were experienced. There was also a sense of afinity, togetherness, tactility and incorporeal feelings experienced within the space of a particular venue. The last section of this article is devoted to the popular routine leisure spaces which Ducktails frequented, namely sessions, speedway, roadhouses and the bioscope. They were arranged by churches, youth organisations and sports clubs with the support of local municipal councils Rufus, interview with the author, Private sessions were also organised away from the watchful eye of adults.

It was this new and vibrant musical genre that Ducktails emphatically embraced. Speedway or talent shows were reserved for Saturday or Sunday afternoons. Speedway at Wembley Stadium was well attended, as was speedway in Pretoria. According to Verster ibid. Hilton interview with the author, remembers: Downloaded by [Katie Mooney] at 05 May There were talent shows on there by Bapsfontein on Sundays.

They put posters up but it was territorial in those days like in Orange Grove or Braamfontein. Every Sunday night it used to be at the Braamfontein club … it was great. Another source of amusement was visiting roadhouses. Moving between roadhouses in groups was a frequently activity. More commonly, however, the roadhouse was a meeting place for friends. A popular spot to congregate was the bioscope. Members of the Ducktail subculture attended the bioscope at least once a week and it gave value for money: two ilms could be watched for a mere ten cents ibid.

It was at the bioscope that the Ducktails were kept abreast of the latest trends in fashion, ideology and popular culture. Elvis Presley was the greatest drawcard. Jailhouse Rock brought all the manne [men] out. Unless you rocked [arrived] up three hours before and stood in a huge queue, you missed out. The street outside the cinema was packed with bikes, at least a hundred, parked at right angles to the kerb, which was full of people.

The atmosphere inside was charged with excitement. However, the cinema often proved a focal point for conlict between Ducktails from different areas. As Freed 98 writes: Gang warfare not infrequently breaks out in the southern suburbs. As many as twenty men from rival gangs have been observed in battle outside a cinema in Rosettenville.

These men belonged to the South Hills and Rosettenville gangs, and met at the cinema by challenge. Places of entertainment and the use of the street for the pursuit of leisure show how Downloaded by [Katie Mooney] at 05 May youths carved out their own spaces, away from adult supervision, to express their collective identity and subcultural afiliation.

Ducktail group identity was secured through various epicurean ritual practices such as aggressive self-assertion at sessions , the territorialisation of space particularly parks, streets, bioscopes, dance halls and roadhouses and through the elaboration of a slang that relected Ducktail social roots in immigrant, Afrikaner and English colonial cultures.

This article demonstrates that while there is a collective identity there are different groupings and heterogeneity in seemingly homogenous subcultures. Subscribing to a common style subsumed differences between Ducktail groups whilst making them visible to outsiders. Ducktailism was a way of life and an everyday reality for some, whilst for others it was a ritualised practice conined to the weekends. Regardless of the degree of commitment, style, image, language and routine rituals intertwined to make the subculture visible and distinguishable from other cultural groupings.

As Clarke et al. Tomaselli for his comments about this research voiced at the Apartheid Archive conference and for encouraging me to submit an article to Critical Arts. Particular thanks to Prof. Noor Nieftagodien for his continued support, for making the time and sharing his insights. For his constant support, special thanks to Prof.

Philip Bonner. Many thanks also to the History Workshop University of the Witwatersrand for providing me with an intellectual home and for its contribution towards publishing this article.

Notes 1 For a general overview of South African youth identities see Nieftagodien The data are being republished in the context of the recent reconsideration of urban space and identity that features on the agenda of South African cultural studies scholars, and in particular in some of the presentations speciically Calum Neill, Susan Opoto, Charles Putergill and Daniel Yon at the Apartheid Archive conference.

For a discussion of these see Mooney chapter six. In Britain, the Conservative Party commissioned various enquiries into youth crime and youth behaviour. These include a report published in titled Youth astray, in Citizens of tomorrow and The responsible society in Pearson 15— See, e.

There is also a body of literature on West African youth culture. The latter is particularly useful for its focus on ethnicity. Substantial research has been conducted into national identities.

For a more detailed account of these works see Moore 23— See Stella — Whereas for duckies an important element was hairstyle, for tsotsis hats were important Glaser David W. Also see Partridge and Clark ; Hudson a and b and Potter References Addo, P.

Politics, war and youth culture in Sierra Leone. African Security Review 11 3 : 7— Amit-Tali, V. Wulff, eds. Youth cultures: a cross-cultural perspective. London: Routledge. Andes, L. Growing up punk: meaning and commitment careers in a contemporary youth subculture. In Youth culture: identity in a postmodern world, ed. Epstein, — Oxford: Blackwell. Basson, L. Punk identities in post-apartheid South Africa.

MA dissertation, University of Johannesburg. Berger, I. Threads of solidarity: women in South African industry, — Indiana: Indiana University Press.

Binnell, B. A discourse analysis of the racial talk and identity construction of a group of working class Afrikaans speakers. MA dissertation, University of the Witwatersrand, Johannesburg. Brake, M. Comparative youth culture: the sociology of youth cultures and subcultures in America, Britain and Canada. A dictionary of South African English. London: Oxford University Press. Buttimer, A. Social space and the planning of residential areas.

In The human experience of space and place, ed. Buttimer and D. Seamon, — New York: St. Calhoun, T. Harms Cannon and R. Explorations in youth culture. Clarke, G. Defending ski-jumpers: a critique of theories of youth subcultures.

In The subcultures reader, ed. Gelder and S. Thornton, — Clarke J. Hall, T. Jefferson and B. Subcultures, cultures and class: a theoretical overview. In Resistance through rituals: youth subcultures in post-war Britain, ed.

Hall and T. Jefferson, 9— Cohen, A. Self-consciousness: an alternative anthropology of identity. Cohen, P. Rethinking the youth question: education, labour and cultural studies.

London: MacMillan. Cohen, S. Folk devils and moral panics: the creation of the mods and rockers. Oxford: Martin Robertson. Crais, C. The making of the colonial order: white supremacy and black resistance in the Eastern Cape, — Cambridge: Cambridge University Press. Cross, M. Culture and identity in South African education, — PhD thesis, University of the Witwatersrand, Johannesburg.

A lost generation? Youth identity and state decay in West Africa. In Postcolonial identities in Africa, ed. Werbner and T. Ranger, 55— London and New Jersey: Zed Books. Diouf, M.

Engaging postcolonial cultures: African youth and public space. African Studies Review 9: 1— Dugmore, H. Education for South Africa.

The Education Panel First Report. Johannesburg: Witwatersrand University Press. Engelbrecht, G. Jeugmisdaadareas en aanverwante verskynsels. Epstein, J. Youth culture: identity in a postmodern world.

Everatt, P. Sisulu, eds. Black youth in crisis: facing the future. Johannesburg: Ravan Press. Flexner, S. Maurer, i—xi. Lexington: University Press of Kentucky. Flores, J. Puerto Rican and proud boyee! Rap, roots and amnesia. In Microphone friends: youth music and youth culture ed.

Ross and T. Rose, 89— Lindberg and O. In garage land: rock, youth and modernity. Crime in South Africa.