Bardo pond mediafire

Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration of two cells of a film strip.

Video Audio icon An illustration of an audio speaker. Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses.

Media Type Media Type. Year Year. Collection Collection. Creator Creator. Language Language. Source: Digital Matrix.

Limerick 2. Rumination 3. I'd give a more of an insight if I could be arsed but I'm tired and just about to start thinking about doing some work Anyway, I'll be back soon with more musique for you to digest.

Sit tight. Posted by waste at 1 comment:. Though he left after the creation of that album, he was later taken back, as stated by Vinnie. DJ Kwestion is also a part of the group, mainly scratching choruses on the turntable. Kwestion or Kwes is also a part of the group Skratch Makaniks.

Jedi Mind Tricks producer Stoupe shares with RZA and Scotty Hard the talent of making the unsampleable sound downright catchy, whether it's water drops and warped guitar for "Chinese Water Torture" or soundtrack music caught halfway between the Italian underworld and a medieval Japanese drama "The Winds of War".

The rappers, including Stoupe's partner, Ikon, as well as guests like fellow Philly flowmasters Lost Children of Babylon, prove up to the challenge of these difficult productions; it's high praise indeed that they never fail to convince and entertain, even when discussing interstellar spacecraft probes, biochemical molecular structure, or the minutiae of obscure Occidental mythology. It's clear that an earlier CD edition or, at the least, wider distribution upon its original release would've broken Psycho-Social with ease and vaulted the duo beyond the dozens of metaphysical rappers clogging the rap racks during the late '90s.

Posted by waste at 2 comments:. Much of the album, particularly the frenzied "Sports Conquest," is a showcase for drummer Tony Ceraoulo, who will never go for a simple snare hit if there's room for wanton abuse of a splash cymbal. His unapologetic overplaying isn't really a detriment, however, since the rest of the lineup a pair of bassists and a single guitarist prefer tasteful rhythmic and melodic development that has as much in common with mid-period King Crimson as it does the hipper names in post-rock.

Refined occasionally to the point of bloodless, but with enough musical depth to skate past the occasional dull patches, this is a cerebral but entertaining listen. Posted by waste at No comments:. Bassists Jeff Wojtsiak and Mike Baldwin, guitarist Phil Taylor, and drummer Tony Ceraoulo all started playing together in various combinations at an early age in Chicago. They started in earnest in , with broad influences from jazz to death metal.

Their intricate, jazzy math rock made its debut on a self-titled EP in , followed by a full-length debut, At the Speed of Light or Day, later that year. It's complex in its format, with nods towards Chicago underground instrumental music, prog art rock and psychotic jazz. Sometimes it feels as though the album can barely stand on its own weight. And yet it does, and does so with fair modesty and eagerness. It's as though Volta Do Mar begs you to stick your foot out to trip them and they survive even when you do.

By no means is this meant to be relaxing or laid-back. Expect to pay attention and have your mind challenged by the intense ferocity of this album. People who desire that next step from Pele, Tortoise, or the Fucking Champs will no doubt be struck with interest by this project.

Boris with Michio Kurihara - Rainbow. While most commonly associated with the doom metal and drone metal scenes, Boris are also renowned for their ability to regularly incorporate elements of many musical genres while maintaining an identifiable sound and quality.

Boris have explored psychedelic rock, noise, ambient, sludge rock, post-rock, stoner-rock and hardcore punk, along with more conventional, mainstream rock styles. Since then, they have released 17 studio albums including Absolutego , and many EPs, 7" singles, and full-length collaborative recordings, on various record labels across the world. Rainbow pairs Boris, a band who makes so many different kind of records — though all of them in their way are "heavy" — and Michio Kurihara from Japan's longest running freak scene band Ghost, who are also known to change sounds, themes and operational M.

The end result is a series of psychedelic songs — yes, songs albeit sung in Japanese with lyric translations in the booklet — that provide the Boris trio of Takeshi guitars, bass, vocals , Wata guitars, vocal, glockenspiel and Atsuo drums an opportunity to do what they do best: invent spooky, time-shifting soundscapes for Kurihara to play off of without drowning in jam band fever.

It's a memorable and disciplined series of songs that feel more like something Ghost would do than anything else, but Kurihara is restrained in his primary band behind Masaki Batoh; here he gets to cut loose with some of his more involved six-string freak-outs and electric humbucking sickness.

Parts of this set, such as "Starship Narrator," are up-tempo wailers that go right for the heart of the psychedelic beast. Atsuo's drums are heavy in the bottom end, and a muddy, hissy noisescape provides open space for Kurihara's guitar explorations and extreme wah wah pedal, whammy bar, and finger-flying intensity to break the track into pieces with his solo.

Contrast this with the next cut, "My Rain," where the soft, melodic interplay of guitars floats over backmasked tape and subtle outside-the-frame distortions. It's simple, beautiful and brief; a break in the Maelstrom. While everything here is worth hearing, especially since the way the tracks are sequenced makes this feel like an album, one tune leading to another, moving forward into an unknown that is sensual, spacious, multi-textured and beautifully articulated.

It's poetic, driven and hypnotic in its seeming monotony, though there is so much going on it's impossible to note it all in one listen. It's heat-driven rock that pushes Kurihara to let that knife-like tone soar above before he is driven to his wah wah pedal and complemented by Takeshi playing back in call and response. It's freaking nuts. There are vocals but they are more shouted than sung in the heart of the beast that this wailer is. Rainbow is the most cohesive collaboration Boris has ever done.

It towers over their recording with Sunn 0 and is a completely different animal than anything they've done with Merzbow. It's a sign of their sheer musicality and dynamic diversity as a group. As for Kurihara's place, this album was a vehicle for him to shine as a player, as a creator of textures and tensions, but also to engage with a band that fully "gets" his other side apart from Ghost.

This is what great, uncompromising neo-psychedelic rock is all about: it draws from the past and points ever forward into the unknown future. Alive and kicking. Ok, I'm back in business. With a fully restored internet connection in my room. Expect lots of golden musical nuggets to be coming your way imminently. Feel free to make any requests, recommendations, random comments and such like.

Friday, 15 February Sorry but I'm not dead You may have noticed the updates have stopped. This is basically because the useless piece of shit that is the University network has ceased to function in my room so here I am informing you all via a scummy computer in the Biosciences library.

See I do care Anyway, I hope to be back soon with more brilliant music or not so brilliant music, depending on your point of view. Until then sit tight. I actually arrived early and was queuing and talking with Alex Tucker until the venue eventually let him and his small entourage in to start sound checking.

Glenn Branca's compositions center around multiple guitars — four or more, heavily amplified — augmented by a rock-based rhythm section of drums and bass. In later works, the composer began adding other instruments, including mallet guitar, keyboards, and occasionally a second drummer. Branca's minimalist compositions frequently require unusual guitar tunings — more recent works have them strung with two sets of three strings tuned an octave apart.

Many of downtown New York City's more notable experimental guitarists have been a part of his ensemble, including Thurston Moore and Lee Ranaldo of the punk rock band Sonic Youth. Branca studied performing arts at Emerson College in Boston. AMG: "If one chooses to categorize the music on this recording as "rock," this is surely one of the greatest rock albums ever made. But there's the rub. While sporting many of the trappings of the genre — the instrumentation electric guitars , the rhythms, the volume, and, most certainly, the attitude — there is much about The Ascension that doesn't fit comfortably into the standard definition of the term.

Not only does the structure of the compositions appear to owe more to certain classical traditions, including Romanticism, than the rock song form, but Branca's overarching concern is with the pure sound produced, particularly of the overtones created by massed, "out of tune," excited strings and the ecstatic quality that sound can engender in the listener.

Though his prior performing experience was with post-punk, no-wave groups like the Static and Theoretical Girls, it could be argued that the true source of much of the music here lies in the sonic experimentation of deep-drone pioneers like La Monte Young and Phil Niblock. Happily, the music is accessible enough that one can jump right in, regardless of one's direction of approach.

Branca's band, unlike some of his later enormous ensembles, is relatively modest four guitars, bass guitar, and drums , so the sound is comparatively clear and each member's contributions may be easily discerned. The chiming notes that begin "The Spectacular Commodity" are allowed to hover in the air, awash in overtones, before being subsumed into a rolling groove that picks up more and more intensity as guitar chords cascade one atop another, threatening to, but never succeeding in, toppling the whole affair.

But the title track is both the consummation of the record and the surest indication of Branca's direction in later years. It begins with a marvelously dense haze of ringing guitars, feedback, and percussion, with a foreboding bassline contributing to the strong sense of disorientation. Midway through, it abruptly shifts to harsh blocks of sound over a rapid rhythm, the blocks differing in texture but played in alternating sections, smacking into each other and further heightening the tension.

These disparate sounds eventually coalesce into a pure, ringing tone that, over the last minute of the piece, explodes into a spectacular cacophony, a seism of bell tones, microtonal eruptions, and near orgasmic guitar bliss. An absolutely stunning, jaw-dropping performance. Branca's music has served as a major inspiration to many alternative rock bands that surfaced in the '80s and '90s, notably Sonic Youth; both Lee Ranaldo who plays on this recording and Thurston Moore were regularly members of his early ensembles.

The Ascension, in addition to being an utterly superb album on its own merits, uniquely invites listening from both adventurous rock fans and aficionados of experimental electronic music. For years, the vinyl release on 99 Records, with its stunning cover illustration by Robert Longo, was a highly sought-after collector's item. It was finally issued to compact disc in by New Tone. Posted by waste at 3 comments:.

Prior to adopting his current moniker, he performed and recorded under various permutations of the Palace name, including Palace Brothers, Palace Songs, and Palace Music Oldham definitely hasn't abandoned his foundation of mordant lyrics and minimalist arrangements, but he has built a variety of different layers that make this album an emotional and pleasurable listening experience.

In "Nomadic Revery," Oldham draws upon his classic Appalachian sound; it's the kind of song that begs you to join in. Oldham has always given the kind of energy to his character's voices that most people are afraid to relate to. This is all too evident in "Death to Everyone," Oldham punches out his bitter poetry in his most somber voice.

The album takes its most surprising turn on "Madeleine-Mary," a Celtic-style folk song set to a Rastafarian guitar sound. The album closes with a short and rare love song called "Raining in Darling"; Oldham stretches his voice to its most impressive limits, and the number is touching and hopeful.

Merzbow - Metamorphism. The favorite moniker of Japanese Masami Akita appears on hundreds of albums. All these elements constitute the Merzbow persona. Akita was born in Tokyo in He grew up with psychedelic rock and began to play the guitar in progressive rock cover bands, in particular with drummer Kiyoshi Mizutani, who would remain a frequent collaborator.

After high school, Akita studied literature and visual arts in college. There he discovered free jazz and studied seriously the ideas of Dada and the surrealists Salvador Dali remained a big influence.

Fairytales - Heather Peace MP3. For Love of Duke Forever Disco, Vol. Golden Collection of Zubeen, Vol. Hanging On feat. Hawed - Mohamed Fouad MP3. Headache feat. Highrise - Pama International MP3. Historical Organs of the Philippines, Vol. Hits of S. Balasubrahmanyam - S. Balasubrahmanyam MP3.

Houdini - Melvins I'll Be There feat. II - Hardline MP3. Images feat. In ogni senso - Eros Ramazzotti MP3. Intentions EP - Effect Intuition - Clifford White MP3. John Holt Story, Vol. Johnny's Trip - EP - Mr.

John MP3. Journey to Addis - Third World Joyas Musicales, Vol. Karimba Diabolic - Novalima MP3. La bonne humeur - Madilu System MP3. La Maison d'Amour feat. La Temperamental, Vol. Leap - Ep - Jarmone MP3. Lightbringer feat. Necro Facility - Covenant MP3. Live At the Star Club, Vol. Live in Toulouse - Septicflesh MP3. Lobsters - EP - Frk. Jacobsen MP3.

Lost Masters, Vol. M83 - M83 MP3. Master of Klezmer Music, Vol. Mastermind - Monster Magnet MP3. Max Zalkind Vol. Memoir - Jimmy Scott MP3. Memphis Blues, Vol. Minimo - Massimo MP3. Modeselektion Vol. Monsore - Osibisa MP3. Lonely - Mark Medlock MP3. Mwanzo - Sauti Sol MP3. Napoli, Vol. Notorious - Duran Duran Now or Never feat. Odio Bajo El Alma - Hocico Our House Remixes feat. Outside Reality - Stratus MP3. Pantanal Music, Vol.

Part 1 - Veev MP3. Pasion - Nando Cordel MP3.